Events
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Grounds for Departure: A Historic House, An Art Museum X
Grounds for Departure: A Historic House, An Art Museum
August 20th, 2026 — October 31st, 2026
Masur Museum Main House
August 20th, 2026 – October 31st, 2026Public Reception: August 20th, 2026, 5:30 — 7:00pm
Grounds for Departure will feature abstract painting and sculpture that engages directly with the architecture of the museum’s structure, mapping its domestic history within the walls of the current-day art museum.
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It’s Time to Grow Up (No Thanks!) X
It’s Time to Grow Up (No Thanks!)
August 20th, 2026 — October 31st, 2026
Masur Museum River Galleries
August 20 – October 31, 2026Public Reception: October 1, 2026, 5:00pm – 9:00pm (Monroe Art Crawl)
Inique Harris is a Monroe-based artist, illustrator, and art educator. Her visual art explores themes of femininity and girlhood, paired with a whimsical focus on the pure essence of creativity and love.
Upcoming Exhibitions
Bernard Mattox: Retrospective
November 19th, 2026 — February 7th, 2027
Masur Museum Main House
December 3, 2026 – February 20, 2027
Public Reception: December 3rd, 2026 from 5:30 – 7:30 PM
Bernard Mattox is a New Orleans-based artist who specializes in multi-media and ceramics. His work blends the vibrant imagery reminiscent of New Orleans street-life with totem-like figures that call to mind tribal imagery.
64th Annual Juried Competition
March 11, 2027 — May 15, 2027
Sponsored by The Northeast Louisiana Arts Council 
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Masur Museum Main House
March 11 – May 15, 2027
Public Reception: March 11th, 2027 from 5:30 – 7:30 PM
This year’s juror: TBA
About the Exhibition
The Masur Museum of Art’s Annual Juried Competition showcases contemporary artists throughout the United States of America working in any medium. First started in 1963, the Annual Juried Competition is the Masur Museum’s longest-running tradition and one of its best-reviewed exhibitions each year.
Past Exhibitions
Victoria Smith: It Seemed Right
November 11, 2017 12:00 AM - January 3, 2018 12:00 AM
Victoria Smith’s It Seemed Right is an attempt by the artist to visually catalog several of her personal relationships. For her project at the Masur, she created symbolic representations of people, events, and objects, as well as herself, which chart the ebb and flow of how she deals with people. This soul-searching work is cathartic for Smith and will likely be for visitors as well. If you were presented as a single image, perhaps resembling a coat of arms or family crest, how would your personage and conduct be manifested? Smith’s many exhibition credits include shows at the Upstairs Gallery (Monroe, LA), Rumo’s (West Monroe, LA), Parlor House (Monroe, LA), University of Southern Mississippi (Hattiesburg, MS), and Agora Borealis (Shreveport, LA). In 2019 Smith will show with the Bossier Arts Council as their Emerging Artist. She and her sister, Mashall Smith, are gaining renown in Northeast Louisiana with their mobile screen printing shop Pint Sized Printers.
Developing Thoughts on Small Worlds
August 29 12:00 AM - October 27, 2017 12:00 AM
Stinson’s fine oil paintings explore the many ways in which individuals create their own worlds, and often cut themselves off from others. His anthropomorphic landscapes are particularly interesting when thinking about how people perceive the world because they are incomplete. The in-progress nature of this work is fitting when thinking about this idea because perceptions are always changing. Ultimately Stinson’s are inherently positive because their intrinsic beauty mirrors humans’ indomitable optimism in the face of hardship and struggle.
Caroline Youngblood: Becoming the Butterfly
August 29 12:00 AM - October 27, 2017 12:00 AM
Youngblood uses Northeast Louisiana’s landscape and old family photographs as inspiration for her artistic practice. She reclaims her roots by creating stunning oil paintings using these two types of source images. Her reclamation project mirrors her coming of age as a young artist with that of her family pursuing the American dream in the Delta in the past. She approaches her work with a reverence that is palpable. The visceral nature of her work is fitting being as you are witnessing her becoming something new when spending time with her paintings.
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