Events
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The River is the Road: Paintings by George Rodrigue X
The River is the Road: Paintings by George Rodrigue
May 23 - October 19, 2024
About the artist: Born and raised in New Iberia, Louisiana, George Rodrigue (1944-2013) received his formal training at the University of Southwestern Louisiana (now UL Lafayette) followed by the prestigious Art Center College of Design in Los Angeles, California. Unlike his classmates, he risked returning home, bravely choosing Louisiana over California and New York to pursue a career in painting. The year was 1969, and Rodrigue felt compelled, he said, “to graphically interpret the Cajun culture,” something the young artist recognized as disappearing in the modern world. His keen observation regarding his heritage, as well as the landscape of Southwest Louisiana, led Rodrigue on an extraordinary artistic and personal journey over the next 45 years. Furthermore, his simple, heartfelt decision to return home to Louisiana ultimately catapulted him to world-renowned status.
Rodrigue noted in his book, The Cajuns of George Rodrigue (1976, Oxmoor House), that when the Cajuns arrived from Canada following Le Grand Dérangement in 1755, “The waterways of Louisiana were the highways. We had no roads; we just had the water. They were the natural fairways for commerce, development, and everything necessary for settlers to expand.”
In Rodrigue’s paintings, the roads and rivers blend as one, and are one and the same. Rejecting the spacious sky of traditional European-style paintings, he pushes a large oak to the front of his canvas, cropping the top of the tree so that the light shines in the distance and is small beneath the branches. In hundreds of his paintings, it is a river or road that invites the viewer into Rodrigue’s imaginary world, one that feels like Louisiana, and onto a painted path that leads to a symbolic, hopeful light.
When the Blue Dog enters Rodrigue’s world, his paintings become increasingly more colorful, reflecting changes in his life and outlook. Unlike the black bayous of his Cajun paintings, Rodrigue’s Blue Dog interpretations are surreal in both design and color. Oftentimes the rivers are blue, red, yellow, and abstracted, blending and swirling almost indiscernibly with the land and sky. Ultimately, paintings from the last year of Rodrigue’s life, as featured in this exhibition, ponder his life’s journey as never before, borrowing from the symbolism of his early paintings and the optimism of his later ones. In these intensely personal expressions, Rodrigue once again invites us into his world with a river, this time contemplating not only his life’s journey and artistic legacy, but also, with hope and curiosity, the next part of his adventure.
This exhibition was organized by the Life & Legacy Foundation and Art Tour with Wendy Rodrigue
IMAGE:
He Stopped Loving Her Today (2013)
Acrylic on canvas
Collection Wendy Rodrigue
On view May 23 – October 19, 2024
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Julie Crews: I’ll Be Right With You X
Julie Crews: I’ll Be Right With You
August 22 - November 2, 2024
Julie Crews is an oil painter. She grew up in Asheville, North Carolina, but has called many other places home. A few include northern California, which taught her how to ease into her 20’s; Louisiana, which enriched her southern vision for ten years; and Huntsville, Alabama, where she now lives with her husband and five children. She operates an open studio and gallery in a 122-year-old cotton mill, repurposed as Lowe Mill Arts and Entertainment.
Julie paints what takes her out of the studio: the life it takes to nurture a family. When she is in the studio she escapes certain domestic tethers, but on the canvas before her remain the scenes of her life. Fires burn in the backyard. Cars wait at a red light. Children swim and leaves settle on the forest floor. Weather, traffic, landscapes encountered while running errands around town, and her interactions with the people closest to her influence her work, naturally. But recreating these scenes gives permanence to the emotional undercurrents of her life.
I’ll Be Right With You is an ongoing narrative of the pursuit of living a well-curated life, and even though curating her emotions is one of her most challenging charges, Julie Crews does not hold back. With works entitled I Can Do Hard Things and Wake Me Please When This is Over, she is hopeful that every soul viewing the exhibition I’ll Be Right With You will find work that resonates with them in a deep and meaningful way.
Upcoming Exhibitions
Peter Jones: Contemporary Realist Retrospective
November 21, 2024 – February 8, 2025
On View: November 21, 2024 – February 8, 2025
Public Reception: November 21, 2024 5:30 – 7:30PM
About the Exhibition: TBA
About the Artist:
Peter Jones is a figurative painter with a deep respect for the abstract accomplishments of the 20th Century. He grew up in the artists’ community of Woodstock, New York, where his mother painted portraits and his father painted mural commissions for the Federal Government projects during the Depression. He received his MFA from the University of Iowa in 1969, and focused on still life painting in the early 70s during his first teaching experience at Sullins College. Following seven years as art director of Vermont Life Magazine he came to Louisiana Tech in 1980, and taught there for 31 years. During that period he had two one-man shows at A.M Adler Fine Arts in New York City, and one-man shows at Amherst College and in Woodstock, New York, Charleston, West Virginia, Charleston, South Carolina, and Charlottesville, Virginia. He had a 25 year retrospective in Ruston in 2005 and an exhibition of still lifes at the Alexandria Museum in 2006. Since his retirement he has continued to exhibit still lifes and landscapes in group shows in Louisiana and national juried shows. In 2023 he had a retrospective exhibition at ULM’s Bry Gallery.
Image:
Gardenias with Peach in Hand
(Ovid’s Judgement of Paris)
Kulicke cast Louis XIII reproduction frame
2005
62nd Annual Juried Competition
Feb 20 - May 3, 2025
Sponsored by
The Northeast Louisiana Arts Council
Exhibition on view Feb 20 – May 3, 2025
Public Reception: TBD
About the Juror
Annemarie Sawkins, PhD, is a Milwaukee-based independent curator, who has curated several exhibitions for the Masur Museum of Art including Kogyo: Japanese Woodblock Prints (2022), Treasures of Art Nouveau (2019) and Afghan War Rugs: The Modern Art of Central Asia (2018). Her more recent projects include Profound Prints: Art by Exceptional Women at the Hilliard Art Museum and A Creative Place at the Trout Museum of Art. From 1999 to 2012, she was a curator at the Haggerty Museum of Art at Marquette University. A frequent juror and portfolio reviewer, Annemarie Sawkins has a MA and PhD in Art/Architectural History from McGill University in Montreal, Canada.
About the Exhibition
The Masur Museum of Art’s Annual Juried Competition showcases contemporary artists throughout the United States of America working in any medium. First started in 1964, the Annual Juried Competition is the Masur Museum’s longest-running tradition and one of its best-reviewed exhibitions each year. Annually, 700-1000 recent artworks are submitted by artists all over the nation, in all styles and media. The Masur Museum is proud to offer cash awards totaling $3,200.
Submissions open October 1, 2024
Swimming in the Sky: Cliff Tresner
August 21, 2025 – November 1, 2025
Clifford Tresner attended Indiana State University, Terre Haute, IN, and earned a BFA in Sculpture/Woodworking in 1990. He received his MFA from The University of Mississippi in Oxford in 1994.
Mr. Tresner began his teaching career in earnest in 1997 as an assistant professor of art, tenure track at the University of Louisiana, Monroe, LA, where he taught all levels of sculpture and drawing. Mr. Tresner moved to teaching painting and drawing in 2013. He has held many positions over his career, most recently as the William D. Hammond Endowed Professor of Liberal Arts, 2017 – 2020 and the Art Program Coordinator at the University of Louisiana Monroe.
Supported by a grant from the Louisiana Division of the Arts, Office of Cultural Development, Department of Culture, Recreation and Tourism, in cooperation with the Louisiana State Arts Council, as administered by the Northeast Louisiana Arts Council. Funding has also been provided by the National Endowment for the Arts.
Past Exhibitions
Angela Fraleigh: With Ready Eyes
May 23 - August 3, 2024
About the Exhibition:
Angela Fraleigh’s paintings explore the rich history of academic and avant-garde art, focusing on themes of gender, sexuality, femininity, and power dynamics. Her work intertwines realism and abstraction to create lush, complex pieces ranging from intimate portraits to monumental figure paintings that reimagine women’s roles in art history, literature, and contemporary media.
Fraleigh’s work challenges viewers to reconsider the passive roles of female characters in art history. “What if the female characters we’ve come to know from art history – the lounging odalisques, the chorus that whispers in the background – present more than a voyeuristic visual feast? What if these characters embody a flickering of female power at work? Can we see these passive characters as subversive and powerful? And if we do, how might if affect women today and of the future?” – Angela Fraleigh
About the Artist:
Born in 1976 in Beaufort, SC, Fraleigh earned her MFA from Yale University and her BFA from Boston University. Her solo exhibitions have appeared in Hirschl & Adler Modern, PPOW Gallery in New York, Inman Gallery in Houston, Peters Projects in Santa Fe, and James Harris Gallery in Seattle. She has also created site-specific projects for the Edwards Hopper House Museum, the Vanderbilt Mansion Museum, and the Everson Museum of Art, among others. Fraleigh currently lives and works in New York, NY, and Allentown, PA, where she is a Professor at Moravian University.
On view May 23 – August 3, 2024
61st Annual Juried Competition
Feb 21 - May 4, 2024
Sponsored by The Northeast Louisiana Arts Council
Juror: Kerry Inman, Inman Gallery of Houston, TX
Exhibition on view Feb 22 – May 4, 2024
Public Reception: March 21, 2024 from 5:30 – 7:30 PM
About the Exhibition
The Masur Museum of Art’s Annual Juried Competition showcases contemporary artists throughout the United States of America working in any medium. First started in 1964, the Annual Juried Competition is the Masur Museum’s longest-running tradition and one of its best-reviewed exhibitions each year. Annually, 700-1000 recent artworks are submitted by artists all over the nation, in all styles and media. The Masur Museum is proud to offer cash awards totaling $3,200.
Announcing this year’s guest juror: Kerry Inman
Kerry Inman is the owner and director of Inman Gallery in Houston, Texas. Founded in 1990, the gallery has hosted over 200 exhibitions in its 33-year history. The gallery represents emerging and established artists with a connection to Texas, as well as the estate of Texas modernist Dorothy Antoinette (Toni) LaSelle. Kerry also serves on the board of the Contemporary Arts Museum, Houston.
Accepted 61st Juried Competition Artists
Image:
Edgar Cano-Lopez, Chrome Dance (Best in Show)
Blanket Songs: John Hitchcock
November 28, 2023 - February 3, 2024
November 28, 2023 – February 3, 2024
Public Reception: Thursday, January 25, 5:30 – 7:30 pm
Artist’s Talk: 6:30 pm
Live Musical Performance by Hitchcock throughout the night
John Hitchcock is a Wisconsin-based artist and musician of Comanche, Kiowa, and Northern European descent. Raised in Oklahoma on Comanche Tribal lands, he draws on his personal history to create works that fuse frenetic abstraction with layered allusions to indigenous traditions. He earned his MFA in printmaking and photography at Texas Tech University, Lubbock, Texas and received his BFA from Cameron University, Lawton, Oklahoma.
Blanket Songs stands as an immersive testament to the intersection of tradition and innovation, weaving together a rich tapestry of media to narrate a deeply personal story rooted in indigenous heritage. Drawing inspiration from the cultural practices of Comanche and Kiowa ancestry, this installation is an amalgamation of traditional techniques – screen printing, lithography, assemblage, neon, audio, video, and textiles – harmoniously converging to honor the legacy of the artist’s grandparents.
This program is funded under a grant from the Louisiana Endowment for the Humanities, the state affiliate of the National Endowment for the Humanities. Any views, findings, conclusions or recommendations expressed in this exhibition do not necessarily represent those of the National Endowment for the Humanities.
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